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My interpretation of the typeface used in Maurice Pialat’s film A Nos Amours (To Our Loves) When ever I am online and I see a typeface I like. I will take a screen shot. Over time I have gathered a wide collection from Films, TV shows, Documentaries and others.Into the high country we ride. A lakeside idyll, sometime in the 19th(?) century. The picturesque scene exists in an achromatic epoch, though the attire of a delicate young maiden (possibly with child?) and the scurry of a man on horseback allows for an informed guess.Stay safe and healthy. Please practice hand-washing and social distancing, and check out our resources for adapting to these times.
Film music has powerful aesthetic effects on the perception and understanding of screen content, but does it also influence viewers' sense of connection with movie characters thereby creating antecedents for an experience of empathy? Participants viewed clips showing characters' neutral or ambiguous reaction to an event, person, or object.
Originally the first 10 here were ranked in order of preference, but in the interest of getting less hierarchical in my thinking about movies, I've dropped the numbers.
A nos amours (1983) - A study of a working class girl of fifteen who, looking for the affection she is denied at home, enters a series of casual sexual affairs, eventually marries, then leaves her husband to fly off to America. Directed by Maurice Pialat.
Janus Films is proud to present a touring retrospective spanning Abbas Kiarostami’s nearly five-decade career. This series includes new restorations, undertaken by the Criterion Collection and MK2, of The Koker Trilogy, Taste of Cherry, The Wind Will Carry Us, and rarely screened shorts and documentaries.
And yet, overall he is an inspiration and a touchstone. But what came later was even more revelatory, and has reignited and re-focussed my own aesthetic sensibility, vis-a-vis cinema. I began to watch Maurice Pialat's A Nos Amours.
Movie Mutations: Letters From (and To) Some Children of 1960 Posted February 19, 2018 These are the original letters published in French translation in Trafic no. 24, Winter 1997 and subsequently published in English in a 2003 book edited by Adrian Martin and myself, Movie Mutations: The Changing Face of World Cinephilia (London: British Film Institute).
It is with very great sadness that Film Studies For Free brings you its latest entry: a commemoration of the life, film criticism, theory and scholarship of Victor Perkins who died a week ago today. V. F. Perkins was a founding editor of the hugely influential film critical publication MOVIE.He was also the author of Film as Film (Penguin, 1972), one of the most inspiring of the foundational.
Foreigner's Guide to Film Culture in Korea A blog discussing what is available for foreigners in Korea (mostly Seoul) from a cinephile's perspective. I'll also include a running diary of films I see here in the theatres and on DVD as well. Saturday, 30 May 2009. LIKE YOU KNOW IT ALL (Hong Sang-soo, 2009) Over the last week I have seen Hong Sang-soo's new film twice. It is a typical Hong film.
The New Yorker is an American magazine of reportage, commentary, criticism, essays, fiction, satire, cartoons, and poetry. 8776 relations.
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You can write a book review and share your experiences. Other readers will always be interested in your opinion of the books you've read. Whether you've loved the book or not, if you give your honest and detailed thoughts then people will find new books that are right for them.
A Nos Amours is important for, at the very least, marking the on-screen debut of legendary French actress Sandrine Bonnaire. Bonnaire plays Suzanne, a fifteen year old daughter of a furrier, played with smoldering intensity and charm by Pialat himself. Besides her father, Suzanne lives with her mother, a well-meaning but emotionally unavailable.
I still need to read Stephanie Zacharek's pan of TWBB, which I've heard is one of the best out there. But for now, here's a good critique (with links to others) by Gabe Klinger, which I found via Facebook but is apparently also available on a site called cine-file.info, which gives thoughtful coverage of film events in Chicago (all the more valuable once Jonathan Rosenbaum retires from regular.
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